I’d rather focus on a different critique that hits personally as an online voice. More-specifically, a Jewish voice. I don’t practice blindly, but the dichotomy of my identity means I get many confused looks and responses. Which is why Allison Josephs, or Jew in the City, and her take on Wicked hit a nerve. And to be clear, this isn’t an indictment of her concerns. Especially since she’s entitled to feel how she does.
My issue with Josephs’ take is personal. While she clearly has problem with this movie, I don’t agree with her. Specifically, I disagree with the lens by which she criticizes the messaging, tying down its storytelling to the rise in Antisemitism. I understand her concerns, but I think she mistakes the forest for the trees. Let me explain.
Wicked, and the book it’s based on, was a trailblazer. It began the “what if the villain wasn’t really the villain” trope many copycats, even today, get wrong. The reason for its success was that while it deconstructs evil, it doesn’t excuse it. Elphaba might’ve been a victim of circumstance, but we never get the impression what she becomes is right. She ruins lives, most-notably her younger half-sister’s, and we’re meant to marinate in the Ozian propaganda that festers throughout. Like classic Greek plays, this is a tragedy.
It's worth noting that while Elphaba becomes an antagonist, the real evil, The Wizard, doesn’t get any comeuppance outside of being told by Glinda to leave Oz. His crimes, including imprisoning animals and stripping them of their rights, are never aired out, and the citizens of Oz never stop believing his lies. It’s a direct critique of American populist leaders and their preying on economic hardships. It’s also a direct commentary on the American Military Industrial Complex, using war at the expense of the vulnerable.
I’ll point out that I don’t disagree with everything Josephs espouses. For one, her callout of the original author, particularly his interview where he reexamines attitudes toward Saddam Hussein and Adolf Hitler, is warranted, given the real damage they did. And two, her issue with circumstances excusing behaviours is justified. I don’t like the TikTok rehabilitation of Osama bin Laden, and that’s also my biggest issue with Munich. Victims aren’t owed an explanation for trauma, but they have a choice in their responses.
Still, Josephs is using the grievances of the previous paragraph to vent her own frustrations. She mentions Black Panther: Wakanda Forever’s Namor, and how that led to Ta-Nahisi Coates’s stance on Israel-Palestine changing. My thoughts on Coates’s take on October 7th are complicated, as I understand where he’s coming from, but I don’t agree with him. That said, Coates isn’t entirely off about the conditions of Palestinians behind The Green Line, especially considering the harassment they receive from soldiers and settlers. The conflict might be complicated, but it’s high-time Israeli institutions were more critical of the behaviours that transpire.
I’ll point out that I don’t disagree with everything Josephs espouses. For one, her callout of the original author, particularly his interview where he reexamines attitudes toward Saddam Hussein and Adolf Hitler, is warranted, given the real damage they did. And two, her issue with circumstances excusing behaviours is justified. I don’t like the TikTok rehabilitation of Osama bin Laden, and that’s also my biggest issue with Munich. Victims aren’t owed an explanation for trauma, but they have a choice in their responses.
Still, Josephs is using the grievances of the previous paragraph to vent her own frustrations. She mentions Black Panther: Wakanda Forever’s Namor, and how that led to Ta-Nahisi Coates’s stance on Israel-Palestine changing. My thoughts on Coates’s take on October 7th are complicated, as I understand where he’s coming from, but I don’t agree with him. That said, Coates isn’t entirely off about the conditions of Palestinians behind The Green Line, especially considering the harassment they receive from soldiers and settlers. The conflict might be complicated, but it’s high-time Israeli institutions were more critical of the behaviours that transpire.
I also don’t see how this is relevant. Irrespective of my thoughts on Antisemitism, or what many young people mistake Hamas to be, Wicked isn’t about that. It’s about the banal ways Fascism hijacks the collective, using real woes to win supporters. Hitler might’ve been evil, and he was for sure childish and disorganized, but he preyed on post-WWI Germany. He understood that the country was struggling, and the German economy couldn’t keep pace. Hitler couldn’t have gained his influence without German citizens, even at the expense of othering Jews. That’s what this is about.
It's also telling that this is how Trump got re-elected. Do I think he’s a good leader? No. Do I believe he’ll fix the problems of The US? Again, no. But while he hoodwinked his supporters into voting for him, he did that while, again, preying on economic uncertainty. Granted, his first term was partly to blame for that, but…
Anyway, I want to stress, again, that my issue isn’t with Josephs’ opinion on Wicked. She’s allowed to not like the story and find it irresponsible, and she’s not without merit for her general complaints. But that doesn’t mean I can’t take umbrage with her arguments about evil being dismissed as an issue of circumstance or upbringing. I don’t think it’s being dismissed at all, instead deconstructed. And while it’s possible to sympathize with Elphaba’s behaviour, I doubt we’re being asked to agree. Anyone who agrees with Elphaba…has poor media literacy skills. But there are people who think The Empire in Star Wars is cool, so who am I to judge?
It's also telling that this is how Trump got re-elected. Do I think he’s a good leader? No. Do I believe he’ll fix the problems of The US? Again, no. But while he hoodwinked his supporters into voting for him, he did that while, again, preying on economic uncertainty. Granted, his first term was partly to blame for that, but…
Anyway, I want to stress, again, that my issue isn’t with Josephs’ opinion on Wicked. She’s allowed to not like the story and find it irresponsible, and she’s not without merit for her general complaints. But that doesn’t mean I can’t take umbrage with her arguments about evil being dismissed as an issue of circumstance or upbringing. I don’t think it’s being dismissed at all, instead deconstructed. And while it’s possible to sympathize with Elphaba’s behaviour, I doubt we’re being asked to agree. Anyone who agrees with Elphaba…has poor media literacy skills. But there are people who think The Empire in Star Wars is cool, so who am I to judge?
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